While many beloved sci-fi properties feature comedic elements in them, it’s a bit more rare to see one emerge as a full-fledged comedy television show. They can exist, but most of them do so in the form of adult animated shows or, arguably, some of the Marvel movies. On the other hand, you have your popular sitcoms like Brooklyn 99 or The Office, which set the bar for the genre in that they’re hilariously funny, but never usually venture into odd settings, preferring to take place in regular workplaces. Avenue 5 is looking to do something different. By mixing genres that are traditionally kept separate, especially in a live action medium, they take a risk but chase the promise of something new that may draw audiences in. The series shows potential to be a smart satire, already beginning to poke fun at certain modern character stereotypes in a wacky setting. With a wise-cracking cast and morbidly funny worldview, Avenue 5 is not always perfect, but still a promising start to a unique series that could spread its wings if given time and space to grow. Continue Reading
For years, the novels of Philip Pullman have been dazzling readers young and old alike, and the series His Dark Materials was perhaps the most famed of all. Previously, it’s been adapted into both a theater production and a film which was met with mixed reviews. Pullman’s readers have been vying for a way to bring their beloved series and all of its magic to life in a new way, and with the release of HBO’s His Dark Materials television adaptation of 2019, it seems that they may get their way. A brand new fantasy epic saga that feels inspired by the likes of the later Harry Potter films and similar fantasy titles that hold equal intrigue for older children and adults has just awoken and holds definite promise. Our friends over at HBO were able to secure a preview containing the first four episodes for us to review before wide release, and it is so far a very engaging watch. I personally have never read the books that the series is based on and so cannot say much in the area of adaptational accuracy, but that does allow me to approach it with fresh eyes, able to give a less biased look at how the show stands on its own merit. But to be fair, if the rest of the season is this interesting, I may have to pick up the books after all. Continue Reading
If the performance at the Emmy’s is anything to go off of, it appears that Succession has enraptured both audiences and critics across the world as of late. While only in its second season, Succession has rapidly gained attention since its June 2018 premiere. Fans of the HBO series can’t seem to get enough of this dramatic look into the lives of a scheming family running a monopolistic media empire. There is a certain morbid fascination with this family that sees each other as little more than a means to an end, with all parties understanding that power will trump familial loyalty every time in this corporate world. The old patriarch of this establishment is Logan Roy (Brian Cox), a formidable tyrant who plays mind games and spins webs of deceit and blackmail to get what he wants and keep his huge company afloat.
With season two, we pick up less than two days after the end of season one, seeing how one of Logan’s sons, Kendall (Jeremy Strong), is getting along after his attempted business betrayal against his father and major drug relapse. From the get-go, Kendall seems much more timid and submissive after being unable to seize his own power and only digging himself into a deeper hole, and his speech and mannerisms clearly reflect his new role. The writing and acting for this season is top notch, absolutely no one is slacking in these respects. Logan, still deciding where to take his shaken company and who of his children and immediate family to trust with corporate power, gives an amazing performance, both in subdued moments and over-the-top blowouts. Continue Reading